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Scaynes Hill Village

I started making musical instruments in 2005, when I had some time on my hands after leaving the NHS. I had worked in the NHS for 35 years, and I felt that I needed something definite to do to fill the extra time when I left.

Violin making in Scaynes Hill

20 April Posted by Mike Lavelle

The first instrument was a classical guitar, which I made in the workshop of Pablo Requena in Lewes, and I have made the subsequent instruments in my workshop at home. Working with Pablo initially, I was taught basic techniques, such as accurate measuring, and sharpening hand tools. He taught me a huge amount about attention to detail which has been invaluable ever since, and he now teaches guitar-making from his home in Plumpton. I remember when I first went to his workshop, he showed me an instrument that one of his pupils had just finished. "Your guitar will look like that", he said, but I just didn't believe him. However, 15 months later, I too had a beautiful classical guitar that I had made. When I say that I made it, I really do mean that, but Pablo has a terrific talent for allowing you to do the work while supervising you very closely.

After this, I thought I would try and make a cello, because that is an instrument that I have played since I was a child, and it just seemed like a good idea. I already had a workshop at home, but had only made fairly crude things before, such as garden tables, and shelves for the house. I therefore had to buy quite a lot of special tools, but in fact there was not a huge expense in this regard, because most of the tools are fairly simple gouges, chisels and planes. The only electric tool I use is a bandsaw for cutting out rough outlines. For the first few months, I had some help from a violin maker in Brighton, but then I carried on alone with the aid of books, notably "The Art of Violin Making" by Chris Johnson and Roy Courtnall and "Cello Making Step by Step", by Henry Strobel. I also had a lot of help and advice from a violin maker/repairer in Forest Row.

I have now made 10 instruments, two violins, two violas, two miniature violins, two cellos, a five-string cello and the one guitar. A violin takes me about 6 months to make, and a cello takes 9-10 months. I buy the wood from a specialist supplier in East Sussex; I am very lucky to be able to go and choose the wood personally. The wood has to be very specially selected and seasoned, and so costs a lot to buy. Just the wood for a cello can cost £800, and most of that wood ends up as shavings on the floor. A lot of people don't realise that the curved belly and back of a violin is carved out of a solid piece of wood. The sides of the instruments are bent using heat, but the front and back are carved.

I have really enjoyed the instrument-making over the past eight years. I can spend as long as I like at it, and can go into the workshop whenever I like. At the end of it, I have a beautiful instrument to show for my labours. People often ask me whether it helps having been a surgeon, and I think it does. Obviously, there is the fact that I am using my hands, but it also helps to have spent many years concentrating on one practical problem for hours at a time. If anyone feels that they have a talent for woodworking, I would certainly recommend enrolling on one of Pablo Requena's courses in Plumpton.

If you are interested in learning more about Mike and his violin making or would like to buy or commission an instrument or send a message to Mike just e-mail the website address scayneshill@webplus.net and we will pass on your message.